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Exhibition November 16, 2026 → December 2, 2026 Saint-Pol-sur-Mer Price : Free

Portraits de commerçants — exposition photo

Exhibition November 16, 2026 → December 2, 2026 Saint-Pol-sur-Mer Price : Free

About the event

À l’approche des fêtes, l’école des beaux‑arts Charles Renaud invite à découvrir les visages du quotidien de Saint‑Pol‑sur‑Mer à travers l’exposition <em>Portraits de commerçants</em>, réalisée par ses élèves de l’atelier photographie. Les portraits en noir et blanc, capturés tout au long de l’année, mettent en lumière femmes et hommes familiers et racontent une part de la vie de la ville.

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Workshop December 20, 2026

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Saint-Pol-sur-Mer, Dunkerque

A slightly magical atmosphere, a festive table decorated with a flower that will brighten the Christmas spirit. → Registration begins on December 6

Workshop December 6, 2026

Marché de Noël

La Calotterie

Le Marché de Noël, organisé par l’association « Les Amis de La Calotterie », se tient à la salle polyvalente de La Calotterie. → L’association recherche des producteurs locaux et des exposants (artisans, produits du terroir, gourmandises) pour proposer une ambiance chaleureuse et festive, mettant en avant le savoir‑faire local. → Ambiance chaleureuse et festive, savoir‑faire local…

Culture Ongoing · until November 24, 2026

"Guynemer, Jean Bart Neighborhood" by Loredana Marini

Dunkerque

This exhibition is the result of a photographic project spanning more than two years, led by Belgian photographer Loredana Marini. The project began as part of an artistic workshop held at Château Coquelle with students from Septantecinq, the École Supérieure des Arts de l’image in Brussels, and later as part of an artist-in-residence program at Château Coquelle, Loredana Marini presents a photographic series focusing on the residents of the Guynemer and Jean Bart neighborhoods in Saint-Pol-sur-Mer, an area undergoing urban renewal. “My involvement with the neighborhood began in October 2023. Even before going there, I had been searching for a long time. I wanted to photograph a public housing neighborhood. It was obvious. This choice also stemmed from my own experiences. I’ve always lived in working-class neighborhoods. For me, there was something deeply sociological about this project, but also something personal, almost intimate. I’ve often felt that those who talk about these places without ever having lived there know nothing about them. They know neither the smells, nor the sounds, nor the exhaustion.(…) The first time I arrived there, it was a day in October. I was dropped off in the neighborhood. I remember it very well: the warmth of the autumn sun on the brick walls, that low light. A familiar feeling, as if I’d been here before, as if I already knew this place. (…) In this neighborhood in transition, it seemed important to me to take a closer look. So I wouldn’t forget. When I return two years later, I still feel just as alone. A bit like I did at the beginning. But today it’s real: the buildings are coming down, one after another. I often think back to that first day in October. To that light on the bricks. To that walk through the neighborhood. To that moment when I realized that this neighborhood, in some way, was also telling my story.”—Loredana Marini, November 2025.

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